This message area was intended for either stereo/home theatre audiophiles or professional/amature recording engineers.
I'm a bit of both.
I have a Fostex DMT-8 digital multi-tracker (analog board, hard disk) that I going to be synchronizing with a Fostex D-108 (digital multitrack unit, no mixer) for 16-tracks total (44.1/16 on the DMT-8 and 48/16 on the D-108). I have a Mackey 1604 16 channel mixer that works pretty good, various out-boar
This message area was intended for either stereo/home theatre audiophiles professional/amature recording engineers.
I'm a bit of both.
I have a Fostex DMT-8 digital multi-tracker (analog board, hard disk) tha going to be synchronizing with a Fostex D-108 (digital multitrack unit, n mixer) for 16-tracks total (44.1/16 on the DMT-8 and 48/16 on the D-108). have a Mackey 1604 16 channel mixer that works pretty good, various out-b
I'm neither, but I just bought a Fostex VF-160. Talk about sweet. All digi and burns right to CD. It's like night and day from analog. Almost like wh I used to run SpitFire compared to your software :).
This message area was intended for either stereo/home theatre audiophiles or professional/amature recording engineers.
I'm a bit of both.
I have a Fostex DMT-8 digital multi-tracker (analog board, hard disk) that I going to be synchronizing with a Fostex D-108 (digital multitrack unit, no mixer) for 16-tracks total (44.1/16 on the DMT-8 and 48/16 on the D-108). I have a Mackey 1604 16 channel mixer that works pretty good, various out-boar gear (BBE, reverb/delay, compressors, mic pre-amps, gates), two DAT recorder (TASM DA-30 and DA-20), a suite of AKG, Shure, and Seinheiser mics, a rack-mount TASCAM twin-cassette player/recorder, Aragorn power-amp for the monitors and a set of Alesis Monitor One near-field reference monitors.
I'm wondering, Digital Man, how your gear looks today, what gear do you stil employ in and outside of Weedpuller, as well as what upgrades in Pro Audio h you made since this post (1999) ?
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